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    Entries tagged “text

    publishing     magazines     print     text     objects     Dave Eggers     packaging     design    
    said the shower curtain to Dave Eggers…
Text becomes another object for issue #16 of the form shifting THE THING Quarterly.

“Published on a shower curtain, with the idea that one would read it  while showering, this issue is a monologue told to Dave Eggers by his  shower curtain.  It was produced in collaboration with Izola and is  printed on a 72x72 inch PEVA (PVC Free) shower curtain.” —THE THING

(first discovered via Junk Culture)

    said the shower curtain to Dave Eggers…

    Text becomes another object for issue #16 of the form shifting THE THING Quarterly.

    “Published on a shower curtain, with the idea that one would read it while showering, this issue is a monologue told to Dave Eggers by his shower curtain. It was produced in collaboration with Izola and is printed on a 72x72 inch PEVA (PVC Free) shower curtain.” —THE THING

    (first discovered via Junk Culture)

    art     posters     illustration     lettering     humor     text     events    
    “Dear Louis Vuitton,” Pencil Crayon on paper by Jeff Hamada
(discovered via BOOOOOOOM!, a poster for an art auction at the National Nikkei Japanese Museum)

    “Dear Louis Vuitton,” Pencil Crayon on paper by Jeff Hamada

    (discovered via BOOOOOOOM!,
    a poster for an art auction at the National Nikkei Japanese Museum)

    design     lyrics     music     quotes     sites     text     typography     Beatles    
    posters     design     text    
    illustration     text     words     lettering     drawings     flickr    
    how I feel right now…
“Sooo Tired!” by Chris Piascik

    how I feel right now…

    “Sooo Tired!” by Chris Piascik

    design     vintage     text     new year     posters    
    Fox     business     cable     text     tv     entertainment     design    
    another “threatening” message in my inbox from Time Warner Cable: Roll Over or Get Tough

    another “threatening” message in my inbox from Time Warner Cable: 
    Roll Over or Get Tough

    typography     lettering     illustration     money     text     design     flickr    
    “Financial Advice” for More magazine illustrated by Linzie Hunter

    “Financial Advice” for More magazine illustrated by Linzie Hunter

    tumblr     blogs     tumblarity     text     design    
    WTH is Tumblarity and why should I care? Couldn’t help but feel bad for myself when I saw my “Tumblarity” go down over 100 points because I was enjoying my weekend instead of blogging religiously. Is this the intention? And how do Tumblr Groups get figured into this equation (with limited reasons for reblogging others)?
On a side note, once I fully understand the functionality, the new Tumblr stats Activity page looks really awesome and is designed well. 

    WTH is Tumblarity and why should I care? Couldn’t help but feel bad for myself when I saw my “Tumblarity” go down over 100 points because I was enjoying my weekend instead of blogging religiously. Is this the intention? And how do Tumblr Groups get figured into this equation (with limited reasons for reblogging others)?

    On a side note, once I fully understand the functionality, the new Tumblr stats Activity page looks really awesome and is designed well. 

    design     propaganda     text     poster    
    Get Excited And Make Things print by Matt Jones (parody on Keep Calm and Carry On c. 1939)  
(discovered via 20x200)

    Get Excited And Make Things print by Matt Jones 
    (parody on Keep Calm and Carry On c. 1939)  

    (discovered via 20x200)

    illustration     art     cute     sayings     words     text     quotes     design     poster    
    
the design + illustration portfolio of Anna Melcon Bond (discovered via Chronicle Books)


    the design + illustration portfolio of Anna Melcon Bond (discovered via Chronicle Books)

    graphic design     typography     text     gallery     words     art     design     author     books     fabric     illustration    
    The Art of Lost Words at the text/gallery is “an exhibition of design, typography and illustration inspired by forgotten words.”
There are 41 participants in the show including, Angus Hyland, Why Not Associates, Andy Smith, and David Pearson. All the pieces are for sale, with proceeds going to the National Literacy Trust.
The art piece above titled Murklins, is by Audrey Niffenegger (author of The Time Traveler’s Wife)

    The Art of Lost Words at the text/gallery is “an exhibition of design, typography and illustration inspired by forgotten words.”

    There are 41 participants in the show including, Angus Hyland, Why Not Associates, Andy Smith, and David Pearson. All the pieces are for sale, with proceeds going to the National Literacy Trust.

    The art piece above titled Murklins, is by Audrey Niffenegger (author of The Time Traveler’s Wife)

    book covers     rejected     graphic design     thoughts     publishing     art     design     competition     contest     ideas     blogs     text     opinion    
    Lately rejected/killed designs have been a hot subject on the blogosphere. Following this trend, blurb, has launched their “Killed Ideas” competition. “This is where great ideas come to play. You nailed it the first time and you know it. — Now it’s time to bring your best work back, and let it stand on its own.”
It’s really interesting to see how designs that used to never have the chance to see the light of day outside the office, are getting some air time with the general public.
Many designers have sections on their websites dedicated to their favorite ideas that didn’t make it. There is a Rejected Designs pool on flickr. And book cover designer Kimberly Glyder just launched her Shelved Books blog.
I get a kick out of looking through rejected comps of designers I admire (and often find ones that I am shocked didn’t make the cut). But when it comes to sharing my own, I feel squirmish about this. Usually I place an incredible amount of trust in the final judgment of art directors, editors, authors, publishers, marketing people, etc. There are educated reasons why certain designs are killed (even if I struggle internally to agree), and I worry that presenting these designs on the web could be seen as disrespectful. What do you think? Am I just too old fashioned?



    Lately rejected/killed designs have been a hot subject on the blogosphere. Following this trend, blurb, has launched their “Killed Ideas” competition. “This is where great ideas come to play. You nailed it the first time and you know it. — Now it’s time to bring your best work back, and let it stand on its own.”

    It’s really interesting to see how designs that used to never have the chance to see the light of day outside the office, are getting some air time with the general public.

    Many designers have sections on their websites dedicated to their favorite ideas that didn’t make it. There is a Rejected Designs pool on flickr. And book cover designer Kimberly Glyder just launched her Shelved Books blog.

    I get a kick out of looking through rejected comps of designers I admire (and often find ones that I am shocked didn’t make the cut). But when it comes to sharing my own, I feel squirmish about this. Usually I place an incredible amount of trust in the final judgment of art directors, editors, authors, publishers, marketing people, etc. There are educated reasons why certain designs are killed (even if I struggle internally to agree), and I worry that presenting these designs on the web could be seen as disrespectful. What do you think? Am I just too old fashioned?

    design     shepard fairey     art     commerce     education     debate     speech     AP     plagarism     designer     graphic design     quotes     type     text    
    Above is an example of Michael Surtees’ notes from the sold-out talk at the NYPL last week between Shepard Fairey, Lawrence Lessig, and Steven Johnson. In his blog post, Michael Surtees notes that the dialogue during Remix: Making Art and Commerce Thrive in the Hybrid Economy failed to give much attention to opposing points of view. Disapponting. Both sides here have plenty of relevance to today’s artists and designers, especially students. (via DesignNotes)



    Above is an example of Michael Surtees’ notes from the sold-out talk at the NYPL last week between Shepard Fairey, Lawrence Lessig, and Steven Johnson. In his blog post, Michael Surtees notes that the dialogue during Remix: Making Art and Commerce Thrive in the Hybrid Economy failed to give much attention to opposing points of view. Disapponting. Both sides here have plenty of relevance to today’s artists and designers, especially students. (via DesignNotes)